Monday, March 20, 2017

To identify parts (On the war in Iraq)


 To-day we need to identify parts. Yesterday,
We were all intact. And so to-morrow morning,
We shall bury the remains of this bloodshed. But to-day,
To-day we need to identify parts. Stars
Glistens like fireflies in all of the Mediterranean Sea,
          Yet to-day we need to identify parts.

This was once a seeing oculus. And this
a vocal and shrill ostium, whose use now has run its course,
When you look at the residue, it mourns life,
Which in your case you have not got. The desert
Holds in its highs and lows silent and eloquent peace,
          Which in our case we have not got.

This is the middle east, which is coloured red by blood
With an easy flick of the thumb, And greedy individuals who
Uses lies to justify their doing. You can do it quite easy
If you do not care for human life. The Jericho rose
is fragile and motionless, never letting anyone see
          its subtle and protective retraction.

And this you can see is death. The purpose of this
Does not seem to justify the means. Bullets flying
Rapidly and deadly, back and forth: we call this
Wretched warfare. And rapidly and deadly, back and forth
The strong furious winds torment the birds and bees:
          They call it wretched warfare.

They call it wretched warfare: it is perfectly easy
If you do not care for human life: like the greedy individuals,
So the stars, sky, and sea mourns the remains and peace,
Which in our case we have not got; and the Jericho rose
Silent in the desert and the furious winds blowing back and forth

          For to-day we need to identify parts.

2 comments:

  1. Lovely pastiche, whose lyricism in the second voice equals that of Reed's original. The contrast he masterfully brought out between the two voices, hinting at the use the rifle would eventually be put to, is here painted more ghastly in the description of the body parts.
    The Reed structure and catch-phrases are all sufficiently maintained to guarantee that the reader would recognize the original.

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  2. I really enjoyed your reconstruction of the original poem! I thought that you were good at keeping the structure of the original, while incorporating your own war and all of the elements that made me picture and feel what I imagine you were trying to communicate, such as the cruel, horrifying, and terrifying reality of war.

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