For those who are unaware
or cannot remember, “Opening Sources” is an interactive hypertext
on the internet which features a poem, permanently available to be
altered by anonymous authors. People are allegedly encouraged to
improve the poem with their contributive configurations, but as one
would have surmised, the text has been distorted into a barely
cohesive mess over the years consisting of conjoined fragments of
randomness. There are no traces left of the text which originally
served as the template for people to interact with when the writing
process was initiated in the year of 2008, and as an inevitable
consequence fabricated by the perks of anonymity, the text has also
been subjected to a great deal of perversion associated with
obscenity. Although this observation could also have been derived
from many other dark corners of the internet, such as Youtube where
highly offensive remarks are blurted out in the comment section
frequently, “Open Sources” has exemplified how the infestation of
obscenity will ooze out of people's minds when they are granted the
opportunity to do so with no fear of reprisals. There is no sense of
collaboration to detect between the authors and people are seemingly
more inclined to modify the text with minor alterations meant to
produce a giggle, rather than putting time and effort into creating
something intellectually stimulating and worthwhile. Even if one
deviant author was lucky enough to access the poem at a moment where
there would be no interference and possessed by the aspiration to
write anything meaningful, it would only be a matter of time before
someone else appeared to thwart the respectable intention. Nothing is
carved in stone at “Opening Sources”, and when power is
distributed to all, the subject is condemned to remain mired in
chaos.
On the other hand it is also possible to consider each and every iteration of the poem perfect at the moment you first access it, rather than longing for the original text (which I agree is lost to us)...
ReplyDeleteThat would be quite correct, yes. I suspect my frustration associated with "Opening Sources" seized control and rendered me a little fixated on the negative aspects of the interactive poem.
Delete