Thursday, February 16, 2017

The Bloody Baron






                                        Picture credit goes to Signe Røntved Jeppesen.


The Bloody Baron

When Leslie first told me about The Bloody Baron, I just rolled my eyes and let her jab on, as my mum always told me to at least pretend to listen because it would give me an advantage with the ladies. Bless her! Anyway, I learned that this lad was in fact no baron at all; he was an Italian duke, but for some reason, the Dreadful Duke just never really caught on. He was known for his bad temper and many marriages, with several of his wives suffering mysterious and premature deaths, and it has long been speculated that he murdered them in fits of jealous rage. Allegedly, he poisoned one of his wives simply because she was too flirty, and then mixed her blood with the paint that went into her memorial painting. The legend goes that, if you stand in front of the painting and say ‘il barone rosso’ three times, his spirit will appear, angry at being called baron instead of duke. Though, other sources claim that it is the spirit of the murdered wife that appears, which I guess makes more sense since it is her blood. In any case, the deal with the blood cannot be agreed upon because the current owner refuses to have it tested because she likes the mystery surrounding the painting and the hordes of tourists and money it brings. I remember thinking that that was a fucking clever way to exploit gullible twats.

So, when Leslie, a sucker for all things supernatural, found out I was going to Italy on holiday, she convinced my mum that we should stay at the Ferrara Mansion, now a bed and breakfast, because of the “amazing scenery and local cuisine”. She then made me promise to film myself testing the legend for her blog. Because I'm a sceptic and the only thing that brings me joy is to debunk that stupid girl’s nonsense, I agreed and promptly received a lesson in ghost etiquette. Not joking, the girl was serious! Apparently, politeness is top priority when dealing with the supernatural... Jesus!

Admittedly, as I was sneaking out of my room, feeling like one of those gullible twats, adrenaline started to kick in – not because I was scared of ghosts, I was more nervous about being discovered in the dining room at night in my boxers. The owner already hated me because I ALMOST knocked over some stupid old vase, and I did not want to add lurking creep to her list. As I stood in front of the painting - pretty gal by the way - I laughed at the thought of how the fuck I would even communicate with an Italian ghost with my limited language skills, let alone be polite. Nevertheless, I turned on my camera and cleared my throat;

“Il barone rosso, il barone rosso… il barone rosso”.

I waited a few minutes. Nothing. What a waste of time I could have spent sleeping. I turned off the camera and turned away from the painting, but as I did so, I heard a faint creaking noise and I nearly fucking pissed myself.


“Buona sera, signore”. 

8 comments:

  1. I love how you turned the mystery of the poem into a folklore! Because it is only implied that the Duke had anything to do with her death, and that sort of mystery would of cause be taken advantage of today in order to lure tourists. The ending is super creepy and really makes me wish that there was more to this story! Great work!

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  2. A good open-ended conclusion. And a good and funny spin on "Bloody Mary".

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  3. I like how you used the poem, and how you created another story from it. I also enjoyed the ending and how it leaves me wanting more.

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  4. The trick with a ghost story is often to keep the ending open, as to whether anything supernatural actually happens. You could pad that effect a little by adding more than just the creaking at the end - perhaps a voice or a sigh heard in the night air...
    The formal requirements are well met, as most of the story is there. I guess with the Duke painted as a serial husband the idea of him negotiating for a new wife at the end of the poem is also represented in some way...
    The displacement in time to the present is effective and funny.

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    1. I'm a bit confused because I have added a voice - but I can see I have accidentally left two spaces between that and the last sentence, so maybe that is the problem?

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    2. I meant a voice coming from the ghost...

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    3. Ahh that is why I was so confused because for me it was obvious that the voice belonged to the ghost, but I guess it is easy to forget that the reader does not always know or see things as the writer does. I will fix it for the portfolio.

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  5. I think this a very clever and creative way to represent the poem, and as Helena said I also like how you turned the mystery into a sort of legend that still is being told today.

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